CommentsDevious CommentsHey thanks for the great observations!
Looking back at this shot, i think i should have took another shot, moving slightly left but also panning to the right a little to crop the hill out of the shot. That mud is lethal though, mixed with sand. Once you start sinking and get stuck, it's practically impossible to get out because of the suction Anyway, thanks for the great insight -- Check my Folio if you like Your welcome.
It is what it is though. Without the hill it would be interesting too, a little more minimalist, but the hill does'nt hurt the composition either. If I were to have shot this, I would be a while trying to decide exactly which would get posted. Seems you should tie your self to rope anchored on shore when you venture out there. -- Please stop by at devikadesilvas [link] . Also see her calendars [link] Impact Zone [link] surf club |
Though as you mentioned in your comment, the wind was blowing and did'nt allow a glassy surface on the water, I feel the texture it provides is equally as interesting, as though the reflection is an impressionist interpretation of the sky. And so there's no real loss to the beauty of the shot.
I also like how there are many random puddles throughout the mud flat. This gives a two fold effect. It adds little dabs and specks of color, helping add texture and interest to the mud, and also provides a good perspective reference as the flat plain of mud leads out towards the horizon. In a sense this is also an imperfect mirror of the effect the clouds themselves provide. Choosing to compose the shot so the horizon line is centered in the frame helps re-inforce this mirroring between the earth and sky.
The point of land jutting into the frame helps define the horizon and points to the sunsetting at the center of the composition. Helping further draw one in. While the point of land works well with this shot, it would do equally well if it were'nt there.
And beautiful color too.